Chic Restaurants in Paris: Haute Cuisine during Fashion Week

As I am a lover of all thing luxurious and exclusive, it is no wonder that Paris is a city I simply cannot get enough of. Having most recently attended Prêt-à-Porter Fashion Week, I once again noticed how full of life the city was with celebrities and socialites all enjoying the exclusivity and excess of Paris. Of course the week is focused on fabulous fashion, but more than lavish couture, the week is also filled with incredible cuisine, exclusive dinners, and chic restaurants that make for a truly extravagant and exciting time.

Having spent many years exploring the city and discovering its chicest addresses, I have always returned to a few of my most favorite restaurants for the intimacy, exclusivity and of course sublime cuisine that is offered. To my delight, the luxury afforded at these hot spots has caught the attention of an elite crowd, and so with every visit I am often in the company of, if not accompanied by, famous faces from around that world.

Jacqueline Guenot, Ender Mermeci and Susan enjoying dinner in Paris

One such address that has been a long time favorite of mine is Le Voltaire. With a Left Bank location situated on the Seine and next to some of Paris’ best galleries, it has become a popular spot for an international crowd of fashion forward socialites, wealthy businessmen, and well-heeled Parisians. During every visit I can be found dining on the classic French cuisine accompanied by an A-list crowd that has included some of fashions most famous faces such as Marc Jacobs, Anna Wintour, Tom Ford and the forever-fabulous Sarah Jessica Parker.

Another favorite restaurant of mine in the City of Light is Le Stresa, which is mentioned in my book Chic In Paris and has since drastically grown in popularity among the rich and famous. Serving Italian food that will make you want to head south once Fashion Week is over, it is a celebrity hot spot offering a feast for the eyes and appetite. Le Stresa is one of Paris’ most popular spots, especially during Fashion Week, however its intimacy is strictly maintained and unless you are one of the privileged few who always receive preferential treatment, I would suggest you make your reservation days in advance. The delicious food is simply to die for and the crowd offers an extensive mix of television, film, and fashion stars, including Ines Sastre and Naomi Campbell, who frequent the spot for its exceptional service.

While opulent restaurants are not hard to find in Paris, it is the truly exclusive ones that seem to be a rare. For this reason one of my new favorite spots is Le Mathi’s, which has caught my discerning eye due to the unmatched exclusivity offered to its in-the-know and prosperous patrons. Likely one of the only true insider places left in Paris, it is inconspicuously marked by a door at the Hotel Mathi’s, which only opens for an impressively small crowd of international socialites, celebrities, and affluent individuals. With a limited number of tables, the intimacy of this venue is second to none and the company seated next to you consists exclusively of those privileged enough to be personally recognized by the establishment as the crème de la crème of high society. Fortunate to be favored by Gerard, who owns Mathi’s, I have been seated alongside many famous people including Dita Von Teese and Roman Polanski.

While it is truly the couture that brings me to Paris during Fashion Week, I simply could not help but mention the delicious cuisine and delightful restaurants that make it possible to both dress and dine stylishly. So for those able to secure a table at these coveted restaurants, or in some cases a personal invitation, being chic in Paris truly is, sometimes not so simply, just a reservation away.

Paris Prêt-à-Porter 2008: Lanvin and Chado Ralph Rucci

Lanvin:
Sunday was the last day of Prêt-à-Porter, and after an exciting and fashion filled past few days I was happy to have saved one of the best for last. Lanvin has always been one of my personal favorite fashion houses, and I was anxious to see what divine designs Alber Elbaz would have in store for the Fall/Winter. A self-proclaimed poster child of Lanvin, I sincerely feel as if Alber could do no wrong when it comes to fashion design. Truly understanding and appreciating women, his collection is created to bring out the beauty of females regardless of body size or age. With blinding lights the show began, introducing not just models but women walking down the runway, as Alber has always been more focused on the women wearing his fashion and not his fashion wearing women.

Setting color aside for this season, Alber chose a darker pallet of black, midnight blue, and grey, focusing far more on technique and rich fabrics to bring his couture to life. Pleating was playfully used in fabrics and furs, while ribbon was featured both for it feminine allure as well as its symbolism. Keeping in mind women from all walks of life, ribbon was extensively used to represent Alber’s wish to tie together different times and different people.

Silhouettes were slim and sleek, featuring skirts that tightly hugged the body and elegantly sleeved tops. Very modern in design, the collection emphasized evening pieces that empowered women and provided opulent options for dressing up. Adding variety to the little black dress through exquisite tailoring, Alber gave dimension and shape to the dark hues through pleating and lines of fabric in both horizontal and vertical patterns.

Elegant coats were trimmed with fur and flattering to the female figure with a focus on the waist. Shoulders were lavishly draped with fox furs and featured bouncing tails that added opulence to an already elegant ensemble. Jackets both long and short featured pelts in a similar fashion as many other designers, and furs ranged from simple detailing to consuming the style with strips to add texture.

The suits were made for chic women who wore clothing with confidence. Although the couture itself was not sexy, the fitted jackets paired with slim tapered pants or skirts flowing with movement accentuated curves in all the right places, making the fashion wearable by women of all sizes.

A collection that truly displayed Alber’s heartfelt appreciation for women, it was, as he explained backstage after the show, a tribute to the real women who love and live in Lanvin.

Susan backstage with Alber discussing his inspiration for the collection as he received many congratulations for his flawless fashion.

Chado Ralph Rucci:
After Lanvin, I made my way to a covenant on the Left Bank of Paris for Ralph Rucci’s Chado Fall/Winter collection, which was my final Prêt-à-Porter show. A location that fit perfectly with Rucci’s indifference to the outside world regarding fashion trends, the collection was centered around a creative rebirth and discovered the relationship between energy and matter. Channeling waves of vibration and motion into material form, Rucci created fashion that, although entirely Prêt-à-Porter, exhibited the opulent fabrics and exquisite tailoring Haute Couture clients have come to expect from this modern designer.

Featured in the collection were Rucci’s signature wool jersey dresses, which were detailed with pin-tucks and leather piping that reflected the designers wave inspiration. The theme of “vibration” was also carried through to couture constructed of cashmere and tulle, and while the contrast between wool pin-tucks and fine fabrics gave the illusion of waving movement, the structure of the garment itself was secured through Rucci’s unwavering workmanship.

Feathers found there way into Rucci’s fashion, which was unique in comparison to the other collections I had seen throughout the week that focused far more on furs. Contrasted beautifully with braided leathers or laid flat to give satin a sleek finish, the feathers floated with the fabric and conveyed a fragility that was very feminine.

As seen in many of the other shows this season, Rucci also exhibited fur coats, but his styles stood out for their exceptional construction and unconventional combination of fine fabrics with a variety of prepossessing pelts. With versatility in style, mixing of textures, and multiple exotic pelts to choose from, each piece offered a look of opulence and exclusivity perfect for fashion lovers interested in buying personalized pieces.

A few of my favorite looks were Rucci’s sumptuous double faced skirted suits constructed of soft cashmere, which was featured as part of the collections define day wear. Perfectly proportioned to flatter the female figure, it was as if their elegance was made specifically with the chic woman over 40 in mind.

Fashion that truly displayed extensive thought and unyielding attention to detail, Rucci revealed looks that were stunning from shoe to stole, with every aspect of the outfit looking wearable and refined.

Susan and Ralph Rucci having a laugh backstage following his gorgeous show.

With the excitement of Prêt-à-Porter winding down it is with pleasure that I have a couple days left in Paris to relax and explore the city to see what has changed since my last trip here. Always keeping my eyes open for fabulous new restaurants or exclusive back street boutique, it never ceases to surprise me how much style and fashion can be found off the runway by simply strolling the streets of Paris.

Paris Prêt-à-Porter 2008: Elie Saab

On Saturday I had the pleasure of attending the show for Elie Saab’s Prêt-à-Porter collection. Having very much loved the elegance of his Haute Couture collection, I was eager to see in what direction Elie would take his Fall-Winter fashions. Notorious for his glamorous gowns, which are divine in detail and construction, I was expecting this season to be similar in style. However, to my surprise, from the very first to last look Elie’s collection exhibited the designers versatility for creating not only red-carpet gowns, but also fashion that is exuberant, flirty and feminine.

Inspired by the abstract art movement of de Stijl, the show featured black and white striped dresses provided volume with layers or tiered ruffled fabrics in silk and chiffon. Not forgetting the primary pallet also prominent in the artworks of Piet Mondrian, Elie included geometric blocks of bold color making the dresses come to life with 1920’s neoplasticism.

Color was a cornerstone of the collection and featured primary hues that vibrantly brought a flamboyant feel to the fashion. A completely different direction than his Haute Couture collection, which featured white beaded gowns and light pastels, I was impressed by Elie’s ability to successfully diversify creatively while still maintaining the craftsmanship and glamor that makes his collections standout.

Sculpting of the silhouette was another important element of the collection, resulting in a plethora of styles that flaunted the feminine form. Dresses that accented the waste and then flowed freely away from the body with volume were contrasted with heavily beaded and form fitted mermaid gowns with flared hemlines. Playing with the material, Elie created unique looks that ranged from effortless elegance to flirtatious and fun.

Also showing shorter dresses, Elie’s fashion was sexy without being vulgar. Achieving an air of elegance often afford only to longer hemlines, he created a variation of sophisticated looks that exuded refinement and class through the use of rich materials and distinctive construction. Shantung dresses were shaped with bowed bustiers and draped fabrics, while wool skirts featured feminine Georgette tops with long sleeves that balanced out plunging necklines. From strapless to transparent tops, despite difference in style, every look was alluring and would make a perfect cocktail party dress.

Not only displaying divine dresses, Elie also debuted a number of chic black evening suits that were opulently trimmed with fur and floral detailing. Gaberdine hems added a little edge to sophisticated styles and luxurious coats lined richly with color brought the glamor of Elie’s red-carpet dresses to his collection of elegant evening ensembles.

A fabulous collection that took me by surprise in the best of ways, I left the show feeling inspired and excited by the fashion options Elie presented. Having sensed that for the Fall-Winter season many designers were starting to cave to customers desire to dress up less, I was relieved to see Elie’s collection offering woman like myself who love to get dressed up so many fabulous choices. And while it may be true that many woman are opting for more casual styles these days, I am certain that if an extraordinary occasion arouse any woman would have little trouble finding her perfect dress in Elie Saab’s sensational collection.

It is saddening to think that tomorrow will be my final day of Fashion Week here in Paris, but at least I am finishing on a positive note. Having looked forward to it all week long, tomorrow I will finally be seeing the fashion show for Lanvin, which is one of my favorites, as well as Ralph Rucci.

Paris Prêt-à-Porter 2008: Chanel

Chanel:
My schedule for Friday of Fashion Week included what is likely one of the most ageless and timeless design houses in history; Chanel. Seated under the sky at Le Grand Palais, it seemed that the entire fashion world had shown up to discover what reinvented classics would grace Karl Lagerfeld’s collection this season. Always showing innovative exhibits, Chanel featured a fabulous carousel that displayed iconic fashion emblems which have defined the design house overtime. With symbols that brought back memorizes of the many collections before, it was a bold summation of the significant influence Chanel has had on the evolution of fashion. A true attestation to it’s timelessness, as the carousel spun round I noticed that each featured article was innovative at its time of introduction and still to this day coveted is for its classic style.

The show began on a traditional note with Chanel’s ever-popular tweed skirt suits. Moving away from the boxy shape, styles were cut closer to the body and revealed a feminine figure with belted waistlines and fitted skirts. Classic in color, Karl focused more on catching attention through terrific tailoring, making each piece look as if it fit like a glove.

Not forgetting that it gets cooler in the Fall and Winter, Karl included in the collection classic coats that were updated with modern detailing. Sophisticated in style, his coats were timeless and will make any woman look chic. As it rarely matters what you are wearing underneath, it is a seasonal focus and for fashion lovers wanting an elegant look that will still be stylish for many years, Chanel is the perfect pick.

Black and white garments that have become a trademark of Chanel were not forgotten and in fact featured in this collection. White blouses were made more feminine with a peter pan collar and were paired with black skirts, sweaters, and cardigans to create a conservative look touched by girlish charm.

Keeping in mind a younger clientele, Karl carried on a style seen in many of the shows this season with dresses cut short in the front and trailing long in the back. Legs were featured with very high hemlines, but elegance was maintained with monochromatic stockings and capes that balanced out the look from behind.

A collection I found was toned down in comparison to some of the extravagant fashion I have seen over the week, Karl designed Prêt-à-Porter he knew his clients would love and want to wear. More subdued than previous collections, this season focused on casual chic couture that was feminine, sophisticated, and, as always, timelessly classic Chanel.

With only the weekend left to enjoy Prêt-à-Porter, I am looking forward to Elie Saab tomorrow and a full day of shows on Sunday to wrap up what has been a very exciting Fashion Week in Paris.

Susan congratulating Karl Lagerfeld after the show and chatting about her book, Chic In Paris.

Paris Prêt-à-Porter 2008: Giambattista Valli and Yves Saint Laurent

Giambattista Valli:
Thursday started with a pleasant surprise, as if being in Paris for Prêt-à-Porter is not pleasure enough, I was very excited to receive an unexpected invitation to the show for Giambattista Valli. A designer that just introduced his own line three years ago, Valli’s collection, which I had never before prioritized on my list as a must see, has certainly risen to the very top with what was one of the most fabulous and chic shows I have seen this season. Bringing luxury to an entirely new level, Valli created couture that compared easily in innovativeness to Haute Couture. Despite its excessive opulence and grandeur, his designs remained wearable for women wanting to make jaw-dropping entrances during fabulous affairs. With an originality that moved in a direction different from other fashion houses, his styles emphasized an eccentric elegance that spared little excess.

Many of my favorite pieces included Valli’s fabulous furs, which were unconventionally extravagant in their construction, composition, and color. Extremely opulent, it brought the few pieces of fur I had fallen in love with at Dior and Requiem to an entirely new level that was far more modern-luxe.

As seen in many of the other collections, voluminous silhouettes were featured, but Valli set his style apart through structure. While the couture did not cling to the body, looks were provided shape through stunning construction of the fabric into capacious sleeves, capes, and tulip style skirts.

Sumptuous and stunning, the form-fitting dresses in shades of crimson took my breath away. The slimness of their cut through the body was sharply contrasted by elaborate bunching and gathering of fabrics into geometric spheres and florals that sprawled over the shoulders and cascaded down the back of each dress beautifully.

A collection that was elegantly ostentatious, Valli still kept a few pieces within the line for clients looking for more classic couture. Still infusing surprise into what looked like simple styles at first glance, these fashions stole a slighter and more sophisticated spotlight. One specific piece that stood out was a voluminous dress that looked timeless from the front and was richly draped with ruffles at the back.

A collection that completely caught me by surprise, Giambattista Valli has become a favorite designer of mine for his glamorously chic style that includes the innovation of Haute Couture into an originally chic Prêt-à-Porter line.

Yves Saint Laurent:
Later that evening I made my way over to the Yves Saint Laurent show, which was held at Le Grand Palais. Always an exclusive event, the crowd was very select and filled with celebrities, socialites and fashion’s most famous faces. Being an incredibly classic venue, it was shocking at first to see such a modern exhibit enveloping the runway. Draped dramatically in pristine white coverings, the enclosed tent erected within the historical Grand Palais hinted towards the contrast to come within the collection.

Playing on the contrast between classic and contemporary, Stefano Pilati paired sharp and intense hair and makeup with clothing that was elegant but with an added edge. Whether it was color contrast in the lining, transparent tops, or an over sized fit, the classic fashions were brought up to date without losing their sophisticated style. While fabulously featured as a total look, the outfits included pieces that could easily be mixed and matched to accommodate more conservative or avant-garde personal style preferences.

The line seemed to offer an endless array of jackets and coats, which is perfect for the cooler months ahead. From zipper detailed bomber jackets to heavy coats cut short in the front but left long in the back, staple pieces were updated with innovative style offering a fresh options for covering up this Fall/Winter season.

The dresses also varied greatly in style while continuing the central theme of classic clothes with an added edge. Over sized short-sleeved dresses exaggerated slim silhouettes with contrasting colors, and classic all black conservative cuts featured sheer fabrics that made traditional pieces trendier. One of my favorite dresses from the collection was a white cocktail dress detailed with black feathers and drawn in at the waist. Reminding me of the dresses worn by Audrey Hepburn , it was as if modern influence had updated this timeless style and brought “Breakfast at Tiffany’s” into the 21st century.

A collection that had a more sporty feel that the previous shows I have seen, I think that Stefano has designed this season’s line to accommodate the styles clients want to wear. Fewer people these days are dressing up, and although I find this a little sad it brings about a point I think YSL has made perfectly with this collection. Every woman wants to look elegant, but the idea that women have to dress up to achieve this look is flawed. Understanding this, Stefano’s Prêt-à-Porter makes elegance effortless. Wearable fashions that are differentiated with edginess, YSL has once again created a collection that is easy to look chic in, regardless of whether you are getting dressed up, or leisurely shopping uptown.

After the show I headed backstage and ended up discussing the collection and fashion with Kanye West. Poising for some pictures together he noticed a ring I was wearing and said he loved it so much he had to get a picture of me showing it off. As he snapped a few photos we had a good laugh together and it made the evening all the more enjoyable.

Susan chatting backstage with Julianne Moore after the show.

Susan congratulating Stefano Pilati on his elegant collection.

Paris Prêt-à-Porter 2008: Nupur, Akris, Maison Requiem

Tuesday, February 26th:
Nupur:
Paris is one of the few places on earth where even the pouring rain cannot stop people from enjoying its beauty, exploring its streets, and in the case of Fashion Week discovering its style. It seemed ironic that on a day of so much gloom I would be meeting with one of Paris’ freshest and most fabulous designers for a private showing of her newest Haute Joaillerie collection. Jewelry that could make any gloomy day glamorous, Nupur’s stunningly intricate pieces sparkled with so much life it was as if the brilliance of the designer herself was shining from within them. Designed with an Indian influence, Nupur makes the traditional trendy, appealing to modern women who appreciate exclusivity and want personalized pieces.

With uncompromising quality, Nupur’s Haute Couture collection is produced in an Indian atelier with royal roots and a history of working with the Indian royal family. First noticed for her signature multicolored tourmaline necklaces, Nupur has grown her collection and received international attention for her intricate earrings, beautiful bracelets, and big rings that combine precious stones, pearls, and diamonds to create colorful and charismatic statement pieces.

Having spent the afternoon with such a charming and passionate designer, my love for her jewelry, which was once based solely on an appreciation for its incredible craftsmanship, has now grown into so much more. Creating her collections with a love that began as a hobby and has evolved into a business, I feel that her abundant energy and passion for intertwining tradition with a modern femininity is what makes her pieces standout with such style. While lusting after multiple pieces featured in the ornately intricate Haute Couture collection, I was most deeply drawn towards these following favorites for their luxurious originality.

Diamond encrusted flower ring with centered pearl.

Multi-colored topaz flower rings.

Delicate and gorgeous gold clasped bracelet.

Dangling earrings that dripped with diamonds and colorful crystals.

All professional photos were provided compliments of Hellen Naterr and Rasha Shamas, fabulous photographers and friends of Nupur.

Wednesday, February 27th:
Akris:
Wednesday of Paris Prêt-à-Porter started with a designer I have always had an affinity for, and as I made my way to the Akris show held at the Carousel de Louvre I was interested to see in what direction Albert Kriemler would take this seasons collection. Have followed the Akris fashion house for many years I have watched its styles meander from flirty and feminine to sculptured and militaristic. Typically designing through inspiration granted from other art forms, such as Swiss architecture or revolutionary silhouettes from Balenciaga, Albert instead chose to design conceptually. Keeping in mind the sophisticated woman, his collection combined modernized softness with structure, a meeting in the middle of many seasons past, resulting in elegant fashions that looked effortless.

Far more subdue in color in comparison to the sixties style seen at Dior, Akris showed a collection that caught the audience’s attention through opulent fabrics and uncompromising quality, which was evermore enhanced by the nuanced color pallet. Belted floor length dresses in silk and tulle were breathtakingly refined, flowing with layers and elegantly accented with strips of cashmere. In shades of graphite, bark, and storm these gowns were not trendy but timeless, and greater attention was drawn to the lavish fabrics and divine details.

Tailored jackets in suede and quilted silk carried on the structure seen in previous seasons, but were belted at the waist to create a more feminine silhouette. Cut at cuff length and paired with either wide or narrow legged slacks, these jackets will make any outfit look fabulous this Fall.

Layering was a major theme of the collection, and even though looks consisted of multiple pieces Albert still managed to elongate the silhouette instead of bulking it up. Gorgeous cashmere turtleneck sweaters were wrapped with mile-long mink scarves and high wasted suede skirts given shape through pleating. Over sized tunics were paired with formfitting tops that added dimension to looks and left possibilities to mix and match many different pieces.

The mesmerizing cashmeres were truly the highlight of the collection and bringing the focus of softness in style, elegance, and comfort to a whole new level with long double-faced coats worn over silk tunics and turtleneck sweaters.

A collection that is sure to be an outstanding success, I could literally see myself wearing almost every outfit walked down the runway. Refined without constraint, this collection provides looks that are effortlessly elegant.

After the show, Susan congratulating Albert Kriemler on his fabulous show.

Susan and Spela Lenarcic discussing the Akris show with friends over a drink at the Hotel du Louvre.

Maison Requiem:
Following Akris, I had a short break and some time to socialize with friends before I headed back to the Carousel de Louvre for one of my favorite up and coming fashion houses, Requiem. Having favored the designs of Raffaele Borriello and Julien Desselle since they began as young creative team only a few years ago, I have watched as the fashion world increasingly takes notice of their style, which combines industrialism with high fashion.

Taking pride in its Parisian roots, Requiem places as much emphasis on superior fabric, cut, and design quality as any house showing in Haute Couture would. While their collections continually carry a polished influence from the 1940’s and 50’s, this season the iconic Jerry Hall and social scenes from Studio 54 were specifically kept in mind. As such, the collection displayed an urbanized sophistication, mixing classic black pieces with bright color and fabulous furs.

Simpler pieces were brought to life with voluminous detailing that appeared either in the tops or bottoms of such looks. Ruffled hemlines, pleated skirts, draped necklines, and gathered fabric gave otherwise basic looks a feminine allure.

My other favorite styles from the collection included the forever-timeless jumpsuit, which in all black looked incredibly sophisticated. With a wide leg, voluminous sleeves, and high waste, this piece stood out as an elegant and effortless look for the chic woman over 40. For an outfit that exuded sexiness, I loved the flowing knee length dress, which debuting a plunging neckline and was detailed with pieces of draped fabric.

A collection that continues to grow both in its fashions and following, I am delighted to see such young and talented designers easily finding the their way into the spotlight that is so difficult to attract during Fashion Week. Once again, Requiem has proven themselves deserving of the attention and praise they are sure to receive for their innovative and chic Prêt-à-Porter collection.

With a busy week that seems only just to have started, I am very excited for all the shows, including Yves Saint Laurent tomorrow, that I will experience before Fashion Week comes to an end on Sunday.

Paris Prêt-à-Porter 2008: Dior

It is always a pleasure for me to spend time in Paris, and even the busyness of Prêt-à-Porter cannot subdue the thrill of seeing the city come to life with fabulous fashion and style. An ever present attendee of Paris Fashion Week, I came prepared for the chaos and was excited to start my week on the same note as I did during Haute Couture with Dior’s show that was held in the beautiful Jardin des Tuileries.

As John Galliano is a favorite designer of mine, and seemingly everyone else’s, I arrived with high curiosity and expectation. Never one to disappoint, Galliano mixed inspiration with innovation and debuted a 60’s inspired collection that was updated with a luxe-twist making it wearable today. Introducing a collection that transcended time with glamour and opulence, the song “Mrs. Robinson” brought to life the swinging sixties. As the models paraded down the runway I could not help but be reminded of my favorite scenes from “The Graduate” and easily pictured not only Anne Bancroft wearing such sumptuous styles but myself and many other confident and chic women over 40 as well.

Having always enjoyed the 60’s style, this collection of bold retro silhouettes paired with loud makeup and louder hair reiterated the widely know truth that fashion is cyclical throughout time. Lucky for me the looks I lusted after as a young girl have been brought back en vogue, such as the tweed box jacket that Galliano updated with exceptional embroidery or cinching bows and paired with simpler skirts to create classic monochromatic suites. These pieces would also look stunning as separates, offering women the option to mix simpler skirts with printed tops or create a more casual look by pairing jackets with slacks or jeans.

Surprisingly, for a fall-winter collection, Galliano showed only skirts, which was refreshing for what I expect will be a season filled with much more conventional styles. Bright silk dresses both long and short were shown in flamboyant abstract prints that sparkled on top with decorative detailing and flowed freely with volume. Although not suited for the streets of New York in November, Dior’s dresses would be perfect for clients traveling south when the temperature begins to drop.

When not bursting with psychedelic print, dresses were confidently colored and given geometric shape through the gathering of material into voluminous bows, bubble skirts, and dramatically draped fabric. Extravagantly accented both at the front and back with sequins and multi-toned gems, Galliano’s collection had audiences taking a well-deserved second look.

Although only a few pieces were featured, I very much loved the elegant fur coats that stunningly swept the floor or rested right above the knee. Finished with big buttons and a stylish ¾ length sleeve, these timeless pieces would remain as constant classics in your closet and stylishly make the statement of affluence and luxury.

Although Prêt-à-Porter collections are expected to have a more mainstream appeal, Galliano has never been a designer to follow the rules of fashion. As such, I was pleasantly surprised by today’s show, which was more subdued than some of his previous exhibits and offered audiences an easily identifiable inspiration. Eye catching and elegant, in my opinion Dior’s collection has made opulence accessible and commemorates chic women who live luxurious lifestyles. From work wear to weekend wear, Galliano encourages women to play with their personal style and celebrate their success through everyday extravagances.

With such a great start to Paris Fashion Week, I can only hope that the excitement will continue through to Sunday. With exclusive parties to attend, stylish friends to catch up with and popular shows still to see, such as Chanel, Lanvin and Yves Saint Laurent to name but a few, it seems that every season my schedule becomes exceedingly filled with the pleasures of a fashion filled lifestyle.

Susan with the Channel 5 Paris news team discussing her book, Chic In Paris, and sharing her opinion on French fashion, which will be featured in a documentary about Haute Couture.

Valentino: A Tribute to Timelessness

Timelessness is one of those attributes that everyone wishes to attain, but few are afforded the time to achieve. Over the past 45 years, Valentino has captured the attention of an international fashion audience with his glamorous gowns and elegant ensembles that have stood the test of changing trends and time. While wealthy fashion lovers around the world collect his vintage couture, Valentino’s new collections continue to draw the attention and applause of fashion editors, celebrities, and socialites. A designer favored by the famous women of history and Hollywood alike, Valentino has made a name for himself as a designer who’s opulent fashions will forever go untouched by time.

Valentino’s experience in the fashion industry has been highlighted with success, and his contribution to both the Italian and international fashion industry has been recognized and rewarded throughout his career. However, much of his international acclaim can be attributed to the famous women throughout history whom he has designed for. A defining year during his career was 1968, when he not only debuted his trademark “V” label, but also created Jacqueline Kennedy’s wedding gown for her marriage to Aristote Onassis.

Jackie Onassis in Valentino as she weds Aristote Onassis and a dress from Valentino’s 2007 Spring/Summer Haute Couture, which was reminiscent of his famous 1968 “Collecione Bianca”.

A wedding dress that caught the world’s attention, it cemented Valentino’s reputation for creating glamorous gowns that were suited for the royal and rich. Although extravagantly opulent, his designs never compromised elegance, and so he became a preferred designer among affluent brides. Since then, the favoritism shown towards Valentino’s gorgeous gowns has persevered, and his dresses have accompanied such celebrities as Elizabeth Taylor, Courtney Cox, and Jennifer Lopez down the isle.

Jennifer Lopez wearing an off white chantilly lace and silk Valentino couture gown as she weds Chris Judd.

Although initially famous for his white wedding dresses, it is the shade of crimson red that has become his signature look. A color that was inspired by a circus in Barcelona, Valentino has said that “after black and white it is the only color”.

A selection of Valentino’s red gowns, which appeared thought his ready-to-wear collections from 1987-2005.

In 2001, this statement rang true as Julia Roberts wore a classically chic black and white Valentino gown and won her first Oscar. Since then, Valentino has been a regular on the red carpet, and his divine dresses are continually adored for their gracefulness and glamor.

Gwyneth Paltrow not only wore Valentino to the 2002 Venice Film Festival, she was accompanied by him as well.

In 2002 Resse Witherspoon looked effortlessly elegant at the Acaedmy Awards in a black beaded cap sleeved lace Valentino gown.

Jennifer Aniston at the 2004 Golden Globe Awards wearing in a timeless black Valentino v-neck dress.

Anne Hathaway, a loyal client of Valentino, wore yet another of his designs to his 45th Anniversary Celebration in Rome last summer.

Meryl Streep wears a custom designed black Valentino gown in “The Devil Wears Prada”, a movie in which Valentino himself was featured.

Jennifer Garner walks the red carpet in one of Valentino’s breathtaking crimson gowns.

Halle Berry wore a single strapped Valentino gown in 2005 to the 64th Golden Globe Awards.

Kate Winslet looked elegant and chic in a strapless black Valentino dress while attending a party in Paris.

Cameron Diaz looked gorgeous in white Valentino at both the Oscars and the Golden Globes.

Uma Thurman looked glamorous throughout the entire celebration of Valentino’s 45th anniversary. The event lasted 36 hours and Uma showed her support for the legendary designer by wearing an assortment of his beaded dresses both long and short.

It was this past Paris Haute Couture that Valentino debuted his last collection. An event that was attended by many famous faces, his collection brought the audience to their feet and set an impeccably high standard for Alessandra Facchinetti, who will be carrying the brand forward in the future.

Blake Lively, Eva Larue, Eva Herzigova, and Claudia Schiffer all strike a pose in classic black and white Valentino.

Valentino is recognized and revered world wide for his legendary contribution to the fashions of this century, and I am one of the lucky few who knows first hand of his impeccable style both in design and life. Notorious for his extravagant lifestyle, it was with great pleasure that I attended a private party at Valentino’s house a few years ago. In the company of some of fashions most famous faces, such as Anna Wintour, Hamish Bowles, and the Duchess of York, it was still Valentino, both his couture and the designer himself, who captivated everyones attention.

It is often that brilliant designers are credited with being ahead of their time, however I do not feel that is the case with Valentino. Although incredibly innovative, Valentino’s creations were less about forecasting the future and more about celebrating the successes and monumental moments that have defined time. From royal weddings to the red carpet, Valentino’s meticulous detailing and ostentatious use of color have made magical moments unforgettable. As Valentino’s legendary design career comes to an end, I am certain that like the couture he has created for decades, his presence in the world of fashion will remain timelessly.

Chic Dinner in Paris

My last soiree to end my beautiful Haute Couture week was a lovely dinner hosted by my new friend Laurent-Marie Affre. Laurent-Marie is the ultimate host. He effortlessly threw together an elegant dinner for 30 people in his fabulous atelier designed by Jean Prouve.
Laurent Marie, a creative director, works with some of the most famous fashion photographers worldwide such as Andre Rau and stars like Ines Sastre and Marisa Berenson.
Thanks to one of my dearest friends Stephane Ruffier Meray I was happy to be among such an exclusive and chic group.

Marisa Berenson in Pucci and Susan in Lanvin.

We chatted about her new skincare line Fabuleuse which is very exciting. Marisa is a perfect advertisement for her brand.

Princess Hermine de Clermont-Tonnerre, the host Laurent-Marie Affre and Princess Mylena de Liechtenstein.

Jacqueline Guenot,  Ender Mermeci and Susan.

It was a pleasure to finally meet Jacqueline Guenot after seeing her all week during the Haute Couture shows and such a funny coincidence to see Ender who I run into all over the world - from Paris to New York to St. Tropez.

Susan and famous architect Eren Yorulmazer

Stephane Ruffier Meray and Ender Mermeci

Other notable guests included Princess Kasia Al Thani and Japanese Fashion designer Yumi Katsura. The delicious dinner was created by the chef of the Hotel Meurice.

It was a wonderful way to close the Haute Couture week.

Paris Haute Couture 2008: Alexis Mabille and Stéphane Rolland

Thursday was my last day of Paris Haute Couture January 2008, and while I had attended the most famous shows, I was very eager to catch the up-and-coming designers as well. Both Alexis Mabille and Stéphane Rolland are relatively new to the world of Haute Couture, and even though I have followed their careers for many years, I am always excited to see how much they have grown since the season before. It is these young designers who are truly the future of fashion, as an increasing number of clients are looking for fresh styles and modern ideas to bring life back into the historically appreciated art of Haute Couture.

Alexis Mabille:

To start, I headed to the Angelina Tea Salon to see the show for Alexis Mabille Haute Couture. A designer I have been watching for the past 5 years, I was very much looking forward to seeing what fresh ideas he would bring to this seasons fashion. Famous for his original bow ties and unisex garments, Alexis has grown with his collection to become recognized as an innovative up and coming designer by some of the most credited international fashion media and trend setters. Recognized by Didier Ludot, who threw a fabulous party at the Grand Palais last October in his honor, Alexis has since become a new face to watch on the fashion scene for his original ideas, attention to detail, and the uncompromising quality of his couture.

The show began on an original note, with an opera singer introducing the collection and modeling the glamorous bow tie adorned gown that had caught my and everyone else’s attention at the Grand Palais party last October. What followed was a collection that offered looks for both sexes and combined creativity with conservatism to offer a range of garments that were distinctively unique without being over the top.

Some of my favorite feminine looks were perfect for classically chic women who are looking for outfits that have an added edge. While many women feel they must accessorize their more conservative suites and dresses, Alexis incorporated into the garments personalized detailing that maintained the couture’s classicism while adding a unique touch. Bowed and ruffled hemlines, contrast piping, and linings that were bright in color drew attention to the craftsmanship of the collection and the distinctive details infused a freshness into otherwise traditional fashions.